奈飞首次在一档节目中使用生成式人工智能。
Netflix uses generative AI in one of its shows for first time

原始链接: https://www.theguardian.com/media/2025/jul/18/netflix-uses-generative-ai-in-show-for-first-time-el-eternauta

奈飞首次在其制作流程中整合了人工智能,应用于阿根廷科幻剧集《永恒的航海者》。首席执行官泰德·萨兰多斯强调了人工智能在提高电影制作质量和成本效益方面的潜力。具体来说,人工智能工具被用于制作一个复杂的建筑物倒塌特效序列,完成速度比传统方法快十倍,成本也显著降低。 萨兰多斯强调,人工智能旨在*辅助*创作者,而非取代他们,并在预可视化、镜头规划和视觉效果方面提供益处。此举回应了业界对人工智能可能对制作和特效行业就业产生影响的担忧,以及2023年的罢工。 该消息发布之际,奈飞报告了16%的年度营收增长(110亿美元),这得益于《鱿鱼游戏》等热门剧集以及不断增长的广告收入,预计今年将翻倍。

## Netflix 与人工智能在制作中的崛起 最近在Hacker News上出现了一场关于Netflix使用生成式人工智能的讨论,最初的报道称其在一档节目中首次亮相。但后来澄清,人工智能生成的图像被用于一部真实犯罪纪录片,具体来说是为了创建主体多年前的图像。 这场讨论探讨了人工智能在视频制作方面的潜力,一些人认为它将迅速成为标准,尤其是在雄心勃勃的业余项目中。虽然目前的人工智能在跨场景保持角色一致性方面仍存在困难,但技术进步非常迅速。有人分享了一个令人印象深刻的人工智能生成视频的例子。 许多评论员将这一转变与经济压力联系起来。传统VFX的成本很高,而人工智能提供了一种更便宜的替代方案,尤其是在媒体价格停滞而制作成本上升的情况下。人们对工作岗位流失和创意作品贬值表示担忧,并将其置于资本主义的背景下。另一些人指出,问题不是缺乏人才,而是发行渠道的垄断以及VFX工作的日益外包,而这种外包是由税收补贴激励的。 最后,讨论还涉及了其他人工智能应用,例如“vubbing”(人工智能驱动的配音)以及最近制作中CGI的令人惊讶的低质量,例如新《真人快打》预告片。
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原文

Netflix has used artificial intelligence in one of its TV shows for the first time, in a move the streaming company’s boss said would make films and programmes cheaper and of better quality.

Ted Sarandos, a co-chief executive of Netflix, said the Argentinian science fiction series El Eternauta (The Eternaut) was the first it had made that involved using generative AI footage.

“We remain convinced that AI represents an incredible opportunity to help creators make films and series better, not just cheaper,” he told analysts on Thursday after Netflix reported its second-quarter results.

He said the series, which follows survivors of a rapid and devastating toxic snowfall, involved Netflix and visual effects (VFX) artists using AI to show a building collapsing in Buenos Aires.

“Using AI-powered tools, they were able to achieve an amazing result with remarkable speed and, in fact, that VFX sequence was completed 10 times faster than it could have been completed with traditional VFX tools and workflows,” he said.

He said the use of AI tools allowed Netflix to fund the show at a much lower cost than is typical for a big-budget production.

“The cost of [the special effects without AI] just wouldn’t have been feasible for a show in that budget,” Sarandos said.

The use of generative AI in the entertainment industry has sparked fears of job cuts, particularly in areas such as the production and special effects industry.

In 2023, AI was a key sticking point in dual strikes by Hollywood actors and writers, which secured agreements to ensure the new technology stayed in the control of workers rather than being used to replace them.

Sarandos said: “This is real people doing real work with better tools. Our creators are already seeing the benefits in production through pre-visualisation and shot planning work, and certainly visual effects. I think these tools are helping creators expand the possibilities of storytelling on screen, and that is endlessly exciting.”

His comments came after Netflix reported $11bn revenue for the quarter to the end of June, a 16% year-on-year increase.

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The company said its better-than-expected performance was boosted by the success of the third and final series of the Korean thriller Squid Game.

Netflix expects its small but fast-growing advertising business to “roughly double” in size this year.

“Netflix’s better-than-expected quarter is a result of great content, increased pricing, and advertising momentum hitting all at once,” said Mike Proulx, the vice-president of research at Forrester, a market research company. “While there’s still work to be done to bolster its ad capabilities, the hardest part is in Netflix’s rear-view mirror with the full rollout of its proprietary ad tech platform.”

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