新的3D扫描揭示了复活节岛上隐藏的摩艾雕刻者网络。
New 3D scan reveals a hidden network of moai carvers on Easter Island

原始链接: https://www.sciencedaily.com/releases/2025/11/251130050717.htm

一项发表在《PLOS One》上的最新研究挑战了之前关于拉帕努伊(复活节岛)标志性*moai*石像创造的假设。来自宾厄姆顿大学的研究人员利用从拉诺拉拉库采石场拍摄的超过11,000张照片创建的详细3D模型,发现了30个具有独特雕刻技术的不同工作区域。 这表明这些石像并非在中央集权机构的控制下生产,而是由独立的家庭群体制作——反映了该岛分散的社会结构。该团队发现了*moai*从采石场沿多条路径移动的证据,进一步支持了这一观点。 该研究表明,石像之间的相似之处可能源于共同的文化知识,而非协调的劳动力。这项研究为未来在联合国教科文组织世界遗产地进行的调查和文化保护工作提供了宝贵的数据,并展示了高分辨率3D建模在考古研究中的潜力。

新的复活节岛(拉帕努伊岛)3D扫描证实了当地长期以来的关于摩艾雕像如何雕刻的知识。这项发表在PLOS ONE上的研究揭示了一个复杂的工坊网络和一个协作雕刻过程,挑战了此前缺乏详细证据的理论。 Hacker News的评论员普遍认为,对于直接与拉帕努伊人交流过的人来说,这些发现并非突破性,强调了在研究中融入土著知识的重要性。一些人认为围绕雕像的“神秘感”源于通过播客等大众媒体传播的错误信息。 该研究提供了具体的证据,支持摩艾生产是一种集体努力的想法,可能基于社会结构组织——这一概念类似于康威定律。研究论文可通过DOI获取:10.1371/journal.pone.0336251。
相关文章

原文

A new study published November 26, 2025 in the open-access journal PLOS One reports that the well-known stone figures of Rapa Nui (Easter Island) were created by many separate carving groups. The research team, led by Carl Philipp Lipo of Binghamton University, New York and colleagues, examined how these communities contributed to the making of the island's famous monuments.

Rapa Nui is widely recognized for its hundreds of stone statues (moai), crafted by Polynesian settlers beginning in the 13th century. Archaeological work has repeatedly shown that the island was home to many small family groups rather than a unified political system. This background has prompted researchers to explore whether the carving of moai followed the same decentralized structure.

High-Resolution 3D Modeling Reveals 30 Quarry Work Zones

For this study, scientists gathered more than 11,000 photographs of Rano Raraku, the primary moai quarry. These images were merged into a detailed 3D reconstruction that captured hundreds of moai preserved in different stages of production. After analyzing the model, the team identified 30 distinct quarrying areas, each showing unique carving approaches. Additional clues indicate that completed or partially shaped moai were moved away from the quarry along several different paths. Taken together, these patterns suggest that statue creation reflected the island's broader social organization, with carving efforts carried out independently rather than through centralized oversight.

New Evidence Challenges Long-Held Assumptions

The findings call into question the idea that projects of this scale require strict hierarchy or a single coordinating authority. Similarities between moai appear to come from the sharing of cultural knowledge instead of coordinated, joint labor. The new quarry model also provides a valuable dataset that can support future investigations and guide cultural management at this UNESCO World Heritage site. The same methods used here can also be applied to study other archaeological locations.

The authors explain: "Much of the so-called "mystery" of Rapa Nui (Easter Island) comes from the lack of openly available, detailed evidence that would allow researchers to evaluate hypotheses and construct explanations. Here, we present the first high-resolution 3D model of the moai quarry at Rano Raraku, the central quarry for nearly 1,000 statues, offering new insights into the organizational and manufacturing processes of these giant megalithic figures."

Fieldwork for this research was supported by a National Science Foundation grant (Award #2218602). The funders had no involvement in study design, data collection and analysis, decisions related to publication, or manuscript preparation.

联系我们 contact @ memedata.com