Contemporary glass artist Simon Berger's unique sculptural language explores the depth of his material through striking and cracking the glass he works on with a hammer. The pane of glass is both the supportive structure of his artwork, as well as the visualization of his artistic handwriting, playing with transparency of the material. The closer and briefer the blows, the stronger the contrasts and the shades. In his hands, the hammer is not a tool of destruction, but rather an amplifier of effects.

​Simon Berger began his artistic explorations by painting portraits with spray cans before turning to other mediums. A carpenter by training, his natural attraction to wood inspired his first artistic creations within his studio. 

A lover of mechanics, he also spent plenty of time working with used car bodies to create assemblages. It was while pondering what to do with a car windshield that his idea for working with  glass was born. “Human faces have always fascinated me”, explained Simon. “On safety glass, these motifs come into their own and magically attract the viewer. It is a process of discovery from abstract fogging to figurative perception.”