Imag­ine you could talk to Hierony­mus Bosch, the authors of the Book of Rev­e­la­tion, or of the Voyn­ich Man­u­script—a bizarre 15th cen­tu­ry text writ­ten in an uncrack­able code; that you could solve cen­turies-old mys­ter­ies by ask­ing them, “what were you think­ing?” You might be dis­ap­point­ed to hear them say, as does Lui­gi Ser­afi­ni, author and illus­tra­tor of the Codex Seraphini­anus, “At the end of the day [it’s] sim­i­lar to the Rorschach inkblot test. You see what you want to see. You might think it’s speak­ing to you, but it’s just your imag­i­na­tion.”

If you were a long­time devo­tee of an intense­ly sym­bol­ic, myth­ic text, you might refuse to believe this. It must mean some­thing, fans of the Codex have insist­ed since the book’s appear­ance in 1981.

It shares many sim­i­lar­i­ties with the Voyn­ich Man­u­script, save its rel­a­tive­ly recent vin­tage and liv­ing author: both the Seraphini­anus and the Voyn­ich seem to be com­pendi­ums of an oth­er­world­ly nat­ur­al sci­ence and art, and both are writ­ten in a whol­ly invent­ed lan­guage.

Ser­afi­ni tells Wired he thinks Voyn­ich is a fake. “The Holy Roman Emper­or Rudolf II loved ancient man­u­scripts; some­body swin­dled him and spread the rumor that it was orig­i­nal. The idea of made-up lan­guages is not new at all.” As for his own made-up lan­guage in the Codex, he avers, “I always said that there is no mean­ing behind the script; it’s just a game.” But it is not a hoax. Though he hasn’t mind­ed the mon­ey from the book’s cult pop­u­lar­i­ty, he cre­at­ed the book, he says, “try­ing to reach out to my fel­low peo­ple, just like blog­gers do.” It is, he says, “the prod­uct of a gen­er­a­tion that chose to con­nect and cre­ate a net­work, rather than kill each oth­er in wars like their fathers did.”

The Codex, writes Abe Books, who made the short video review above, is “essen­tial­ly an ency­clo­pe­dia about an alien world that clear­ly reflects our own, each chap­ter appears to deal with key facets of this sur­re­al place, includ­ing flo­ra, fau­na, sci­ence, machines, games and archi­tec­ture.” That’s only a guess giv­en the unin­tel­li­gi­ble lan­guage.

The illus­tra­tions seem to draw from Bosch, Leonar­do da Vin­ci, and the medieval trav­el­ogue as much as from the sur­re­al­ism of con­tem­po­rary Euro­pean artists like Fan­tas­tic Plan­et ani­ma­tor René Laloux.

Ser­afi­ni has been delight­ed to see an exten­sive inter­net com­mu­ni­ty coa­lesce around the book, and has had his fun with it. He “now states,” writes Dan­ger­ous Minds, “that a stray white cat that joined him while he cre­at­ed the Codex in Rome in the 1970s was actu­al­ly the real author, tele­path­i­cal­ly guid­ing Ser­afi­ni as he drew and ‘wrote.’” You can now, thanks to a recent, rel­a­tive­ly afford­able edi­tion pub­lished by Riz­zoli, pur­chase your copy of the Codex. Buy now, I’d say. First edi­tions of the book now fetch upwards of $6000, and its pop­u­lar­i­ty shows no sign of slow­ing.

Note: An ear­li­er ver­sion of this post appeared on our site in 2017.

Relat­ed Con­tent:  

A Dig­i­tal Archive of Hierony­mus Bosch’s Com­plete Works: Zoom In & Explore His Sur­re­al Art

Explore a Dig­i­tized Edi­tion of the Voyn­ich Man­u­script, “the World’s Most Mys­te­ri­ous Book”

Carl Jung’s Hand-Drawn, Rarely-Seen Man­u­script The Red Book

The Foot-Lick­ing Demons & Oth­er Strange Things in a 1921 Illus­trat­ed Man­u­script from Iran

Josh Jones is a writer and musi­cian based in Durham, NC.