关心人很酷 (2025)
It's cool to care (2025)

原始链接: https://alexwlchan.net/2025/cool-to-care/

坐在布鲁克林一家咖啡馆里,雪花飘落,作者回忆起前往纽约观看百老汇音乐剧《肉馅行动》的旅程——他们已经看过无数遍了。这部基于真实二战欺骗故事的音乐剧,不仅因其大胆的剧情而引起共鸣,更因其关于不太可能实现的抱负,以及最重要的,友谊的主题而触动人心。 作者与这部剧的联系超越了舞台,它点燃了一个充满活力的社群。最初在舞台门外演出后的聊天,发展成在线社群,最终成为了与几十位因共同热爱这部作品而结识的朋友们共同的旅程。 这次旅行并非关于这部剧本身,而是关于分享热情和连接的力量所带来的快乐。作者提倡拥抱热情和脆弱,拒绝冷漠的压力。他们深信关怀的价值——关怀艺术,关怀他人,以及在共同经历中寻找快乐——并鼓励读者也这样做,找到自己的热情和庆祝它们的热情社群。

一个黑客新闻的讨论围绕着alexwlchan.net发表的文章“关心很酷 (2025)”。最初的发布者surprisetalk分享了链接,引来了Geste的唯一评论。 Geste批评这篇文章过于自我中心,缺乏对作者*为什么*关心某个节目的真正探索。他们认为这篇文章感觉像是对读者说话,而不是与读者交流。 Geste提倡对个人偏好进行更深入的自我反思——剖析哪些具体元素(主题、创作、个人共鸣)促成了享受。他们认为,如果这篇文章能够促使读者建立这种联系,而不是仅仅陈述一种关心的感觉而不理解其根源,将会更有影响力。本质上,这位评论者呼吁超越表面情绪的内省和分析。
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原文

I’m sitting in a small coffee shop in Brooklyn. I have a warm drink, and it’s just started to snow outside. I’m visiting New York to see Operation Mincemeat on Broadway – I was at the dress rehearsal yesterday, and I’ll be at the opening preview tonight. I’ve seen this show more times than I care to count, and I hope US theater-goers love it as much as Brits.

The people who make the show will tell you that it’s about a bunch of misfits who thought they could do something ridiculous, who had the audacity to believe in something unlikely.

That’s certainly one way to see it. The musical tells the true story of a group of British spies who tried to fool Hitler with a dead body, fake papers, and an outrageous plan that could easily have failed. Decades later, the show’s creators would mirror that same spirit of unlikely ambition. Four friends, armed with their creativity, determination, and a wardrobe full of hats, created a new musical in a small London theatre. And after a series of transfers, they’re about to open the show under the bright lights of Broadway.

But when I watch the show, I see a story about friendship. It’s about how we need our friends to help us, to inspire us, to push us to be the best versions of ourselves.

I see the swaggering leader who needs a team to help him truly achieve. The nervous scientist who stands up for himself with the support of his friends. The enthusiastic secretary who learns wisdom and resilience from her elder.

And so, I suppose, it’s fitting that I’m not in New York on my own. I’m here with friends – dozens of wonderful people who I met through this ridiculous show.


At first, I was just an audience member. I sat in my seat, I watched the show, and I laughed and cried with equal measure.

After the show, I waited at stage door to thank the cast. Then I came to see the show a second time. And a third. And a fourth. After a few trips, I started to see familiar faces waiting with me at stage door. So before the cast came out, we started chatting.

Those conversations became a Twitter community, then a Discord, then a WhatsApp. We swapped fan art, merch, and stories of our favourite moments. We went to other shows together, and we hung out outside the theatre. I spent New Year’s Eve with a few of these friends, sitting on somebody’s floor and laughing about a bowl of limes like it was the funniest thing in the world.

And now we’re together in New York.

Meeting this kind, funny, and creative group of people might seem as unlikely as the premise of Mincemeat itself. But I believed it was possible, and here we are.

I feel so lucky to have met these people, to take this ridiculous trip, to share these precious days with them. I know what a privilege this is – the time, the money, the ability to say let’s do this and make it happen. How many people can gather a dozen friends for even a single evening, let alone a trip halfway round the world?

You might think it’s silly to travel this far for a theatre show, especially one we’ve seen plenty of times in London. Some people would never see the same show twice, and most of us are comfortably into double or triple-figures.

Whenever somebody asks why, I don’t have a good answer. Because it’s fun? Because it’s moving? Because I enjoy it? I feel the need to justify it, as if there’s some logical reason that will make all of this okay. But maybe I don’t have to. Maybe joy doesn’t need justification.


A theatre show doesn’t happen without people who care. Neither does a friendship.

So much of our culture tells us that it’s not cool to care. It’s better to be detached, dismissive, disinterested. Enthusiasm is cringe. Sincerity is weakness. I’ve certainly felt that pressure – the urge to play it cool, to pretend I’m above it all. To act as if I only enjoy something a “normal” amount.

Well, fuck that.

I don’t know where the drive to be detached comes from. Maybe it’s to protect ourselves, a way to guard against disappointment. Maybe it’s to seem sophisticated, as if having passions makes us childish or less mature. Or perhaps it’s about control – if we stay detached, we never have to depend on others, we never have to trust in something bigger than ourselves. Being detached means you can’t get hurt – but you’ll also miss out on so much joy.

I’m a big fan of being a big fan of things. So many of the best things in my life have come from caring, from letting myself be involved, from finding people who are a big fan of the same things as me. If I pretended not to care, I wouldn’t have any of that.

Caring – deeply, foolishly, vulnerably – is how I connect with people. My friends and I care about this show, we care about each other, and we care about our joy.

That care and love for each other is what brought us together, and without it we wouldn’t be here in this city. I know this is a once-in-a-lifetime trip. So many stars had to align – for us to meet, for the show we love to be successful, for us to be able to travel together. But if we didn’t care, none of those stars would have aligned.

I know so many other friends who would have loved to be here but can’t be, for all kinds of reasons. Their absence isn’t for lack of caring, and they want the show to do well whether or not they’re here. I know they care, and that’s the important thing. To butcher Tennyson: I think it’s better to care about something you cannot affect, than to care about nothing at all. In a world that’s full of cynicism and spite and hatred, I feel that now more than ever.

I’d recommend you go to the show if you haven’t already, but that’s not really the point of this post. Maybe you’ve already seen Operation Mincemeat, and it wasn’t for you. Maybe you’re not a theatre kid. Maybe you aren’t into musicals, or history, or war stories. That’s okay. I don’t mind if you care about different things to me. (Imagine how boring the world would be if we all cared about the same things!)

But I want you to care about something. I want you to find it, find people who care about it too, and hold on to them. Because right now, in this city, with these people, at this show? I’m so glad I did. And I hope you find that sort of happiness too.

A group selfie, with people wrapped up warm in front of a New York shop, smiling at the camera and clutching Mincemeat yellow playbills.
Some of the people who made this trip special. Photo by Chloe, and taken from her Twitter.

Timing note: I wrote this on February 15th, but I delayed posting it because I didn’t want to highlight the fact I was away from home.

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