传言:迪士尼将从时间线移除星球大战续集三部曲。
Rumor: Disney to Remove Star Wars Sequel Trilogy from Timeline

原始链接: https://geeksandgamers.com/remove-star-wars-sequel-trilogy/

## 星球大战可能面临重大时间线变动? 传言称迪士尼/卢卡斯影业正在考虑对《星球大战》进行重大调整,可能会将备受争议的续集三部曲划分为一个独立的孤立时间线。这源于观众参与度下降,尤其是年轻观众对续集电影表现出漠不关心,以及对《曼达洛人》等新《星球大战》内容的票房预测令人担忧。 据内部讨论,目标是“分叉”续集三部曲,让未来的故事能够重新聚焦于原三部曲的角色,并有效地重置主要连续性。这种策略将保留现有的电影,而不会将其删除,并避免完全重启。 支持这一说法的证据包括迪士尼乐园内的微妙变化——特别是当游客询问不同时代的角色如何同时出现时,解释中提到了一个“破碎的” “世界之间”(一个允许时间线操纵的概念)。营销和商品销售也越来越多地优先考虑原三部曲。 虽然尚未确认,但这一举动是由财务问题和重振特许经营权的需要所驱动的,旨在超越续集三部曲被认为的失败,以吸引新一代粉丝。迪士尼的目标是让续集三部曲“可选”,而不是将其删除,并可能利用《阿索卡》作为这一转变的叙事桥梁。

## 星球大战时间线传闻与粉丝反应 网上流传着一个传闻,迪士尼可能会将后传三部曲(第七至第九集)从官方《星球大战》时间线中移除,有效地将它们改写成一个独立的故事线。这紧随即将上映的《曼达洛人与格罗古》电影票房预测不佳的消息,可能成为《星球大战》系列电影史上开画票房最低的一部。 讨论的中心是迪士尼对该系列的运营。一些粉丝批评后传三部曲的质量以及迪士尼试图将它们与早期电影协调一致的努力,认为彻底断开联系可能更好。另一些人则捍卫创作自由,质疑改变虚构时间线为何本质上存在问题。 许多评论者表达了对迪士尼做法的不满,认为缺乏长远规划,并且过于注重安全、易于营销的选择,而非引人入胜的叙事。一些建议包括改编现有的扩展宇宙素材,例如索恩三部曲,或者专注于原创故事,而不是续集。一个反复出现的情绪是,迪士尼将利润置于艺术完整性之上,这体现在放弃既定的扩展宇宙以及感知到的公司对创作决策的影响上。
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原文

The future of Star Wars may be heading toward a massive course correction—and if a new insider report is accurate, Disney could be preparing to split the controversial Star Wars Sequel Trilogy off into its own isolated timeline and remove it from the mainline Star Wars storyline.

According to an exclusive report from That Park Place’s WDW Pro, a source close to Lucasfilm claims internal discussions are underway to “branch off” the Star Wars sequel trilogy to effectively remove it from the primary continuity and allow future storytelling to pivot back toward legacy characters from the original films.

If true, this would be one of the most dramatic franchise shifts in modern Hollywood history.

The Problem Disney Can’t Ignore

A recent focus group conducted by Matthew Belloni of Puck News paints a bleak picture of where younger audiences stand with Star Wars. When teens were asked about the franchise, the response wasn’t passionate debate or excitement. It wasn't even hate or anger.

It was indifference.

“I like the old stuff, but the new stuff… nah. I’m not too excited for The Mandalorian. I never watched it, personally,” one teen said.

Kylo Ren pointing his lightsaber

Kylo Ren in the Star Wars Sequel trilogy - Disney+

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Another claimed: “Anything that came out after I was born isn’t that great.”

 The only bright spot mentioned was Andor—and even that came with a shrug before the conversation moved on.

That’s the nightmare scenario for Disney.

The sequel trilogy wasn’t just meant to revive Star Wars. It was supposed to create a new generation of fans. Instead, that generation appears largely disconnected from it.

And the box office outlook isn’t helping.

A small, green, big-eared creature sits cross-legged on a mossy surface, eyes closed and hands together, looking calm and peaceful. The creature wears a brown robe and is bathed in soft, natural light.

Grogu in the Mandalorian and Grogu trailer - YouTube @starwars

The Mandalorian and Grogu is currently tracking for around an $80 million domestic opening over Memorial Day weekend—a number that would make it the lowest debut in Star Wars theatrical history. Even accounting for a reportedly smaller budget, that’s a glaring warning sign for a franchise that once defined blockbuster dominance.

The “World Between Worlds” Setup

This is where things get interesting—and where the rumor starts to line up with what fans are already seeing on the ground.

At Disneyland’s Galaxy’s Edge, cast members portraying Ahsoka have reportedly been giving a very specific, very consistent explanation when guests ask why characters from different eras are appearing together.

The answer? The “World Between Worlds” has been "shattered" and disrupted.

That concept, introduced in Star Wars Rebels, is essentially a dimension that connects all points in time and space—making it a perfect narrative tool for timeline manipulation.

Disney Parks performers don’t improvise lore like this.

Two animated characters stand on a dark, star-filled platform facing a glowing, circular portal with blue light swirling inside—hinting at a Star Wars sequel retcon—set against a vast outer space background.

Ahsoka and Ezra looking at the Emperor through the World Between Worlds in Star Wars: Rebels - Disney, Lucasfilm

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Their responses are tightly controlled, pre-approved, and often coordinated with Lucasfilm’s story group. If this explanation is being used consistently, it strongly suggests it’s coming from somewhere official.

In other words, the groundwork for a timeline split may already be in motion—just not on screen yet.

Quiet Shifts Already Happening

Even beyond the parks, there are signs Disney has been slowly backing away from the sequel era.

Recent merchandising campaigns for May the 4th heavily favored the original trilogy. The Fortnite crossover event leaned in the same direction. Galaxy’s Edge itself has begun shifting its in-universe timeline, allowing characters like Luke Skywalker, Han Solo, and Princess Leia to appear more prominently.

Meanwhile, sequel-era elements have been noticeably reduced.

Rey and Luke Skywalker in The Last Jedi

Daisy Ridley as Rey and Mark Hamill as Luke Skywalker in Star Wars: The Last Jedi - Disney, Lucasfilm

Rey—once positioned as the future face of the franchise—is increasingly absent from major promotional pushes. Her long-announced standalone film remains stalled, with little visible progress since its reveal.

And then there’s the Galactic Starcruiser.

The now-defunct hotel was built entirely around the sequel trilogy timeline. It lasted barely a year before shutting down, becoming one of the most high-profile misfires in Disney Parks history.

What the Rumor Actually Claims

According to the source cited by WDW Pro, Lucasfilm is considering a scenario where upcoming storytelling—potentially centered around Ahsoka—separates the sequel trilogy into its own branch of continuity.

That would allow Disney to:

  • Preserve the existing films without outright erasing them
  • Continue telling stories with original trilogy characters in a new primary timeline
  • Reset audience expectations without publicly admitting failure
Star Wars theatrical

Mark Hamill as Luke Skywalker, Carrie Fisher as Princess Leia, Harrison Ford as Han Solo, Alex McCrindle as General Dodonna, and Peter Mayhew as Chewbacca in Star Wars - Disney, 20th Century Fox, 20th Century Studios

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It’s a cleaner approach than a full reboot—and far easier to explain within the established lore.

The report also suggests that Ahsoka’s future could play a pivotal role, potentially serving as the narrative bridge that triggers this shift.

Why Disney Might Actually Do It

For years, talk of resetting the sequel trilogy has been dismissed as wishful thinking from frustrated fans.

But the situation has changed.

Between declining engagement, weak box office projections, stalled projects, and failed investments tied directly to the sequel era, the financial incentive to pivot is stronger than ever.

Kylo Ren and Qimir

Source Images: Disney+

This isn’t just about fan complaints anymore. It’s about viability.

Disney doesn’t need to erase the sequel trilogy to move on from it. They just need to make it… optional.

And if the “World Between Worlds” provides that off-ramp, it’s hard to imagine Lucasfilm ignoring it.

A Franchise at a Crossroads

Nothing about this rumor is confirmed. Plans can change. Projects can shift. And Lucasfilm has made plenty of course corrections before.

But taken alongside everything else—the focus group data, the park changes, the marketing trends—it’s clear something is happening behind the scenes.

Star Wars A New Hope IMAX

Mark Hamill as Luke Skywalker in Star Wars - Disney, Lucasfilm

The real question isn’t whether Star Wars will change. It’s how far Disney is willing to go to fix it.

Do you think Disney is going to remove the Star Wars sequel trilogy? Sound off in the forums and let us know!

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