《女超人》电影票房惨淡,开画周末表现灾难级
Supergirl Movie A "Girl Boss" Bomb With Disastrous Opening Weekend

原始链接: https://www.zerohedge.com/political/supergirl-movie-girl-boss-bomb-disastrous-opening-weekend

詹姆斯·古恩(James Gunn)执导的《女超人》(Supergirl)首周末票房仅为3800万美元,表现令人失望,远低于此前7000万美元的预期。在此之前,古恩执导的《超人》(Superman)票房表现同样平平,据报道未能实现盈利。 这部电影的困境被归因于创作选择和公关失误。评论家指出,制作方对编剧安娜·诺盖拉(Ana Noguiera)以及汤姆·金(Tom King)原著素材的依赖,反映出其创作方向与主流脱节。此外,女主角米莉·阿尔科克(Milly Alcock)因涉及性别与性取向的言论面临强烈抵制,许多观众认为这些言论带有挑衅性的“美德信号”。 此次票房失利再次引发了关于好莱坞“政治正确”内容的讨论。许多人认为,观众正日益拒绝那些将进步主义社会评论置于传统叙事之上的电影。鉴于《女超人》高达5亿美元的盈亏平衡点,该片被视为DC影业潜在的历史性失败。对许多人而言,这一趋势进一步印证了“觉醒即破产”(get woke, go broke)的现象,表明如果电影业不调整创作重心,使其更符合主流观众的价值观,大型系列电影将继续面临财务不稳定和收益下滑的困境。

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原文

There's no more excuses.  Filming for James Gunn's Supergirl summer blockbuster started in January of 2025, with most of the US celebrating the defeat of woke politics and the downfall of DEI.  There was no confusion in 2025; woke is dead.  Gunn was well aware and decided to make an insufferable feminist "girl boss" movie anyway. 

In other words, his failure is his own fault.  Either due to hubris, stupidity, or both. 

Initial projections for Supergirl a month ago hovered around $70 million for opening weekend.  These estimates were already low and the panic within Warner Bros. was palpable.  DC Studios was already on its ass for the less than stellar performance of Gunn's Superman, which was supposed to revitalize the comic book movie landscape. 

After theaters took their 50% cut of the receipts, Superman barely broke even on paper, though initial data suggests it fell actually short by $42 million before other indirect revenues were counted.  This was, once again, largely due to Gunn's moronic insertion of immigration politics into discussion, which repelled audiences. 

If Superman couldn't bring in enough fans to make real money, then Supergirl had no chance. Then, the lead actress opened her mouth and started talking, and this was the last nail in the coffin for the release.  After Milly Alcock started spewing feminist nonsense in interviews and attacking fans, it was all over. 

"It definitely made me aware that simply existing as a woman in that space is something that people comment on," she told Vanity Fair in an interview a few months before release. "We have become very comfortable having this weird ownership of women’s bodies. I can’t really stop them. I can only be myself."

Alcock went on to accuse fans of more sexism when they criticized here strange comments.  She then later suggested that Supergirl is LGBT in an effort to virtue signal for gay pride month. 

Clearly, people are tired of leftists inserting LGBT sexual preferences into every film and TV show, because Supergirl's numbers plummeted not long after Alcock's interviews.  The flick only brought in $38 million on opening weekend - Half of the expected revenues.  And, keep in mind, theaters still have to take their profits. 

The movie will need to make approximately $500 million to break even, which sets up Supergirl as possibly the biggest failure in DC movie history.  Beyond Alcock and Gunn, the production was also constructed around the framework provided by a writer with no experience (Ana Noguiera) and referenced a comic run by Tom King, a former CIA officer and leftist.  Anyone with any sense could have seen the disaster coming a hundred miles away.

The lesson is this:  Leftists never learn.  Until the majority of people in Hollywood finally age out or get replaced with smarter (and more conservative) writers, there is little chance of a dramatic return to form.  They will continue to double down until the industry completely collapses.  Or, until a new and alternative industry rises to fill the vacuum. 

In the meantime, Get Woke, Go Broke dominates popular culture.  The progressive invasion is not gone, but they are certainly in decline.   

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