为什么 MySpace 粉丝希望它回归,重振计划初现端倪
Why MySpace fans want it back as relaunch hinted

原始链接: https://www.bbc.com/news/articles/c4g64152v71o

MySpace 的拥有者,范德胡克(Vanderhook)兄弟暗示了这一标志性社交媒体平台可能会重新推出。尽管细节尚不明确,但这一消息激发了老用户的怀旧之情,他们深切怀念该网站作为一种真实、杂乱且高度个性化表达空间的作用,那是一个没有现代平台那种精致、算法驱动信息流的时代。 专家建议,若要成功回归,MySpace 应避免与 Meta 或 TikTok 等巨头直接竞争。相反,他们建议利用其作为音乐和亚文化创意中心的独特历史。市场营销专业人士指出,该平台可以通过提供更易用、更友好且优先考虑个人联系而非表现力的设计,发展成为一个利基平台。 归根结底,粉丝们被重回“较少过滤”互联网体验的承诺所吸引。重塑后的 MySpace 是否能在吸引对千禧年代(Y2K)美学感兴趣的年轻一代的同时,重新捕捉到 21 世纪中叶的情感共鸣,仍有待观察。目前,这一前景提醒着人们,曾经的社交媒体更多是由个人身份而非算法优化来定义的。

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原文

Raw images, no filters: Why MySpace fans want it back as relaunch hinted

Monticah Hawkins/Melissa Kristin On the left, Monticah wears a lime green shirt and a colored-checkered scarf while taking a mirror selfie with a camera. On the right, Melissa also takes a mirror selfie with a camera, wearing a brown top and a black beret.Monticah Hawkins/Melissa Kristin
Monticah Hawkins, left, and Melissa Kristin in their MySpace days

For Monticah Hawkins, a 31-year-old real-estate agent in Atlanta, MySpace wasn't just a website – it was a ritual.

"You could be authentic on MySpace," she says. "Upload raw images, no filters. You could have snot coming out your nose and nobody would judge."

MySpace, once the world's biggest social network, is flirting with a comeback. Its owners, brothers Tim and Chris Vanderhook, say they plan to relaunch the platform, though no date or product details have been announced.

A spokesperson for Viant, which owns MySpace, says the company does not have any updates to share "at this time."

But just the idea of a comeback has stirred nostalgia among people who remember the MySpace days of more than 20 years ago as a place where personal pages were messy, loud, and deeply individual.

It has also caught the attention of creators like Melissa Kristin, a TikTok star with more than 900,000 followers, who grew up on MySpace and remembers it as a more personal digital space.

"It was all very much your own little world, your own corner of the internet," Kristin says.

That sense of autonomy shaped how she expresses herself online today, and she believes that a revived MySpace should avoid the algorithmic, pay-to-play dynamics that dominate modern platforms.

"It would be best served for personal connection rather than performance," she says.

"Just to recapture that high we felt as millennials when we got all the friend requests and comments. It helped us feel connected."

Getty Images Home page of the popular internet networking site, MySpace. 

Getty Images

MySpace launched in 2003 and quickly became a cultural hub, helping artists like Arctic Monkeys, Adele, and Nicki Minaj find early audiences.

But its highly customised pages, auto-playing music, and busy layouts eventually became a liability.

Facebook's cleaner, simpler design pulled users away, and MySpace struggled through redesigns and ownership changes before fading from mainstream use.

Marketing experts say any comeback will depend on learning from that history.

Dr Alexa Fox, a marketing professor at the University of Akron, says the platform was a "first mover" in social media, but one that became too complex for many users.

She believes MySpace's original strengths – music, creativity, and personal expression – could still resonate, but only with more accessible design.

"It could be more user-friendly, with less coding involved," she says.

Alex Mills, a social media strategist who has led campaigns for Spotify and Adobe, says the very thing people are nostalgic for, a feed without algorithms, was also "the thing that killed it."

"People still want a feed," Mills says. "They just want a better one than the ones optimising for rage bait."

Kevin McClary, head of performance marketing at Gorilla 76, believes MySpace should not try to compete directly with Meta, TikTok, or X.

"They can be successful and sustainable even as a niche platform," he says, arguing it should be rooted in 2000s culture.

McClary says leaning into MySpace's music identity could be a smart move, from profile songs to 2000s-themed festivals and merchandise.

He believes the audience could be broader than former users, with younger generations embracing the early-2000s aesthetics they never experienced firsthand.

"You see younger generations now buying old point-and-shoot digital cameras, MP3 players, even film cameras," McClary says. "They clearly have an interest in the past."

MySpace could meet users where that trend is growing by becoming a place rooted in a "specific time," he says. He noted that creators making 2000s-style content on other platforms are often at the "mercy" of algorithms.

Fox agrees that differentiation is essential.

"MySpace shouldn't hang their hat on features other platforms already dominate," Fox says, pointing to Reels and short-form videos.

Popular formats can be added, she says, but they should not define the platform.

She also sees an opportunity to offer a calmer experience. Today's feeds, she notes, are "algorithmic-driven AI, constantly in your face."

A platform where users have more control, or simply feel less overwhelmed, could stand out in a crowded market.

For fans like Hawkins and Kristin, the appeal is emotional as much as practical. Both say they would return if MySpace kept its original spirit.

For now, its comeback exists mostly as a promise – a reminder of a time when social media felt a little less polished and a lot more personal.

"Are you still gonna have that same feeling?" Hawkins says. "Are you still gonna feel like, 'oh my god, somebody loves me?'"

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