展示HN:浏览器中的索尔·莱维特风格的基于指令的绘画
Show HN: Sol LeWitt-style instruction-based drawings in the browser

原始链接: https://intervolz.com/sollewitt/

这系列作品以数字方式重现了索尔·莱维特的标志性墙面绘画,这些绘画根据他最初的指令算法生成——这意味着每次观看都会呈现出独特的变体。莱维特的作品创作于1969-1973年间,以系统化的、基于指令的艺术为中心。 这些绘画探索了线条的几何排列,通常采用简单的规则来控制方向、密度和组合。早期作品如#11和#19将墙面划分为区域,并叠加线条,而#38则独特地使用了钉板上的薄纸。 后期作品,如#85和#86,通过分层组合和大量的线条增加了复杂性。 除了线条,该系列还包括融入弧线、圆形(#130、#138)和彩色元素(#87、#95)的绘画。 核心原则始终如一:莱维特提供了概念,而执行——现在由算法完成——生成了艺术品,强调了理念 *胜于* 艺术家的手绘。

一位 Hacker News 用户 (intervolz) 近期分享了一个基于浏览器的项目,重现了观念艺术家索尔·莱维特的指令绘画。莱维特以提供壁画指令并由他人执行而闻名——本质上,他是最初的“提示工程师”。 Intervolz 多年前开始这个名为“Solving Sol”的项目,最近完成了它,允许用户在浏览器中生成莱维特风格的艺术作品,网址为 [https://intervolz.com/sollewitt/](https://intervolz.com/sollewitt/)。 评论者称赞了这个项目,指出其细节的实现,尽管失去了莱维特大型装置(如位于马萨诸塞州北亚当斯的 MASS MoCA 的作品)的沉浸式规模。 其他人推荐了附近的艺术博物馆,如位于马萨诸塞州威廉斯敦的克拉克博物馆,强调了该地区丰富的艺术氛围。
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原文

A generative tribute to Sol LeWitt's instruction-based wall drawings. Each piece is rendered algorithmically from LeWitt's original instructions, producing unique variations with every reload.

Wall Drawing #11 (1969)A wall divided horizontally and vertically into four equal parts. Within each part, three of the four kinds of lines are superimposed.

Wall Drawing #16 (1969)Bands of lines 12 inches (30 cm) wide, in three directions (vertical, horizontal, diagonal right) intersecting.

Wall Drawing #17 (1969)Four-part drawing with a different line direction in each part.

Wall Drawing #19 (1969)A wall divided vertically into six equal parts, with two of the four kinds of line directions superimposed in each part.

Wall Drawing #38 (1970)Tissue paper cut into 1½-inch (4 cm) squares and inserted into holes in the gray pegboard walls. All holes in the walls are filled randomly.

Wall Drawing #46 (1970)Vertical lines, not straight, not touching, covering the wall evenly.

Wall Drawing #47 (1970)A wall divided into fifteen equal parts, each with a different line direction, and all combinations.

Wall Drawing #56 (1970)A square is divided horizontally and vertically into four equal parts, each with lines in four directions superimposed progressively.

Wall Drawing #85 (1971)A wall is divided into four horizontal parts. In the top row are four equal divisions, each with lines in a different direction. In the second row, six double combinations; in the third row, four triple combinations; in the bottom row, all four combinations superimposed.

Wall Drawing #86 (1971)Ten thousand lines about 10 inches (25 cm) long, covering the wall evenly.

Wall Drawing #87 (1971)A square divided horizontally and vertically into four equal parts, each with lines and colors in four directions superimposed progressively.

Wall Drawing #88 (1971)A 6-inch (15 cm) grid covering the wall. Within each square, not straight lines in either of four directions. Only one direction in each square but as many as desired, and at least one line in each square.

Wall Drawing #95 (1971)On a wall divided vertically into fifteen equal parts, vertical lines, not straight, using four colors in all one-, two-, three-, and four-part combinations.

Wall Drawing #130 (1972)Grid and arcs from four corners.

Wall Drawing #138 (1972)Circles and arcs from the midpoints of four sides.

Wall Drawing #142 (1972)A 10-inch (25 cm) grid covering the wall. An increasing number of vertical not straight lines from the left side and horizontal not straight lines from bottom to top, adding one line per row of the grid. All lines are spaced evenly based on the number of lines, filling the last row of each direction.

Wall Drawing #154 (1973)A black outlined square with a red horizontal line from the midpoint of the left side toward the middle of the right side.

Wall Drawing #159 (1973)A black outlined square with a red diagonal line from the lower left corner toward the upper right corner; and another red line from the lower right corner to the upper left.

Wall Drawing #160 (1973)A black outlined square with a red diagonal line centered on the axis between the upper left and lower right corners and another red diagonal line centered on the axis between the lower left and upper right corners.

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