杰瑞的地图
Jerry's Map

原始链接: http://www.jerrysmap.com/the-map

《地图》是一件循环演进的艺术作品,由连续的层次构成,每个阶段都会取代上一个阶段。该过程始于“基础层”,从空白的纸张或摄影画布开始,通过绘制色带、纸张拼贴,最终演变为代表人口增长的密度编码城市方块。 随后,作品进入“虚空”阶段,其特征是不断变化的单色拼贴和进一步的城市方块扩张。后续层次包括“红色维度”(火焰状红色拼贴)和“黑暗”(纯黑色拼贴)。 循环向“金字塔阶段”推进——这是一系列堆叠并逐渐缩小的方块——并最终以“洪水”和“重生”结束,引入蓝色拼贴和手工撕制的牛皮纸。一旦这些阶段完成,整个过程便会重置,从新一层颜料开始重新循环。

“Jerry’s Map”引起了 Hacker News 社区的关注,并引发了关于创意项目那种沉思式、长期性特质的讨论。这张地图是一位艺术家历时数十年的心血之作,他使用一套定制的卡牌来决定绘制单个地块的指令,从而在一个严格的内部规则引导下,创造出了一个复杂且不断演变的世界。 许多用户将该项目定义为一种“局外人艺术”(outsider art),并将其与亨利·达戈(Henry Darger)的作品或桌面角色扮演游戏中的程序化地图生成进行了类比。对话涉及了以下几个主题: * **过程的价值:** 参与者反思了缓慢、非即时满足感对心理健康的益处,许多人分享了自己童年时期创作虚构地图和日志的经历。 * **“巴德尔-迈因霍夫”现象(频率错觉):** 多位用户指出,人们在近期通过《People Make Games》的一部纪录片同时发现了这张地图,这是一种巧合。 * **人工智能与人类表达:** 关于技术角色的辩论随之产生。虽然有人认为人工智能或许能模拟这种地图生成系统,但许多人反驳称,其价值在于人类对过程的投入,并将艺术家的专注视为自动化人工智能生成内容的对立面。
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原文

The Map is expressed, over time, in successive layers, each one replacing its predecessor. The process of developing and revising a panel results in several iterations of that panel.

The Base Layer is divided into four phases:

A. The blank page is an 8 by 10 inch patchwork of paperboard or is a sheet of heavy paper on which is a photo or a lumen print.

B. The blank is gradually covered in successive bands of painted color.

C. The paint is replaced by 1" squares of paper collage.

D. The collage is replaced by 1" city squares in:

1. Green with 400 new inhabitants

2. Red with 800 new inhabitants

3. Grey with 1200 new inhabitants

4. Black with 2400 new inhabitants

The next layer is The Void. Its initial phase is composed of irregular pieces of plain, white collage. That is followed by a layer of 2" squares of black-and-white collage. On that layer 1" squares of grey city form followed by 1" squares of black city.

The third layer is called The Red Dimension and is expressed by irregular flame-shaped solid red collage.

Black Ness, composed of 2" squares of black collage, supercedes The Red Dimension.

Then follows The Ziggurat Phase in which successively smaller squares of collage, starting with 2 by 2, are stacked on top of each other. That layer, and the ones that follow, have yet to manifest themselves on The Map.

The Flood, represented by irregular pieces of blue collage, and Re-Birth, composed of hand-torn pieces of kraft paper, are the final stages in the Map cycle.

Then the whole process starts over with new Paint Bands.

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