在 Rightmove 出现之前,曾有过 Cosmorama。
Before Rightmove, there was the Cosmorama

原始链接: https://www.ianvisits.co.uk/articles/before-rightmove-there-was-the-cosmorama-londons-forgotten-property-innovation-91687/

埃克塞特大学的研究人员发现,伦敦房地产中介公司 Brooks and Green 早在 19 世纪 40 年代就开创了“虚拟房产参观”,这比数字漫游成为行业标准早了 160 多年。 为了向潜在买家推销豪华房产,该公司利用了一种名为“西洋镜”(cosmorama)的 19 世纪流行视觉技术。通过凸透镜和受控照明观看专门委托制作的精细插图,客户能够获得一种沉浸式的、具有景深感的远距离房产预览体验。由于每张图像都需要艺术家亲临现场创作,这种昂贵且复杂的营销手段仅用于高端房产。 首席研究员约翰·普伦基特(John Plunkett)教授指出,虽然西洋镜主要作为大众娱乐的一种形式而广为人知,但这项研究证明它们也是房地产市场专业化的重要工具。随着城市化进程和交通条件的改善,人们对乡间别墅的需求增加,中介机构利用这种“虚拟旅行”技术,为无法亲自前往现场的买家填补了信息鸿沟。这些发表在《早期大众视觉文化》(*Early Popular Visual Culture*)期刊上的研究结果,揭示了现代房地产营销的一个迷人先驱,证明了对沉浸式房产预览的需求可以追溯到维多利亚时代。

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原文

A London estate agent was offering prospective buyers an early form of “virtual property tour” more than 160 years before online listings and digital walk-throughs became commonplace.

University of Exeter

Researchers have discovered that Brooks and Green, a high-end estate agency based in Old Bond Street, used an immersive visual technology known as a cosmorama during the 1840s and 1850s to promote sales of luxury homes and country estates to potential buyers.

The technique, which could be described as a Victorian precursor to today’s online property previews, allowed customers to view specially commissioned images of properties through convex lenses that enlarged the pictures and created an illusion of depth. Combined with carefully controlled lighting, the displays gave viewers an immersive experience decades before photography became a standard part of property marketing.

University of Exeter

The findings form part of a wider study into the history of the cosmorama across Europe and its role in the development of immersive entertainment.

Professor John Plunkett, an expert in 19th-century visual media at the University of Exeter and lead author of the study, said the technology had previously been regarded largely as nothing more than a form of entertainment.

“For half a century, the cosmorama was one of the most common forms of visual show across Europe and the Americas,” he said. “What we’ve discovered through this latest research project, however, is that its use extended beyond simple entertainment. The appeal of cosmoramas was that they sold an experience of virtual travel. This was utilised by estate agents seeking to sell luxury properties and country estates.”

By examining newspaper advertisements and articles, researchers catalogued more than 650 documented cosmoramas in Portugal, Spain and the UK, alongside many others exhibited across North and South America and Australia.

Professor Plunkett also traced the spread of cosmorama galleries across Britain and Ireland, where they appeared in bazaars, travelling shows and dedicated exhibition spaces.

During the research, he uncovered newspaper advertisements showing that Brooks and Hedger – later renamed Brooks and Green – had begun offering cosmoramic views of properties from the late 1830s. The firm’s advertisements continued until at least 1859 and claimed to include “several hundred views of different estates” presented from an “aerial perspective”, showing both the house and its surrounding grounds.

Each image would have required an artist to visit the property and create a detailed illustration, making the process expensive and likely limited to prestigious homes and estates.

University of Exeter

Professor Plunkett said the discovery highlights how estate agents were already experimenting with more sophisticated marketing techniques as Britain’s property market became increasingly professionalised.

“In contemporary life, prospective purchasers of real estate are usually aided by a full suite of photographs and floor plans, and often an online video walk-through,” he said. “Nineteenth-century buyers had no such advantages.

“But the founding of the first specialised estate agents set in motion a more professional approach to marketing property, fuelled by population growth, urbanisation and improved transport links. In that context, we can see how Brooks and Green pioneered the virtual tour, over 150 years before digital technology would fully realise this potential.”

The research has been published in Early Popular Visual Culture.

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