Audacity 4.0
Audacity 4.0

原始链接: https://github.com/audacity/audacity/releases/tag/Audacity-4.0.0

Audacity 4.0 是一个重要的里程碑,它基于 Qt 框架重构了应用程序,提供了现代化的、支持高 DPI 的界面,以及可自定义的工作区、主题和可停靠面板。 工作流程的主要改进集中在全新的剪辑编辑模式上。用户现在可以更自由地在轨道间选择、分组和移动剪辑,并能以直观的方式处理剪辑重叠和拆分。专业化工具已被精简为上下文相关模式,摒弃了旧工具集,转而采用更快速、更集成化的编辑方式。 播放和录音现在更加灵活,允许用户在任意位置开始录音,并在播放过程中进行跳转。新版本还引入了 `.aup4` 项目格式、实时轨道电平计量、改进的插件支持,以及 Windows 系统下的原生 ASIO 支持。 虽然 Audacity 3 的大部分工作流程得以保留,但由于开发团队目前优先考虑新架构,部分功能(包括 MIDI/音符轨道、时间轨道以及 VAMP 等特定插件格式)暂时无法使用。Audacity 4 还启用了全新的图标和一个用于便捷项目管理的主屏幕。请注意,`.aup3` 项目虽然可以转换为新格式,但转换后无法还原。

Audacity 4.0 的发布在 Hacker News 上引发了热烈讨论,焦点集中在其转向 Qt6 框架及界面现代化更新上。 **主要亮点:** * **现代化:** 用户普遍称赞了其更精美、更具质感的视觉效果及提升的用户体验,认为它在保持轻量级优势的同时,更具专业数字音频工作站(DAW)的质感,优于基于 Electron 开发的同类软件。 * **技术转型:** 从 wxWidgets 转向 Qt6 是争议的核心。支持者认为这带来了更简洁、易维护的代码和更好的一致性。批评者则担心潜在的依赖项问题,以及软件失去了旧版本中那种“原生”的质感。 * **持续争议:** 尽管新界面广受好评,但部分用户仍对 Muse Group 的所有权持保留态度。关于遥测数据、云服务集成以及可选登录提示的质疑依然存在。 * **功能性:** 尽管 Audacity 4.0 旨在解决技术债,但一些用户反馈部分旧版功能(如特定的插件支持)缺失,且在某些 Linux 环境下音频引擎的表现令人困扰。 总体而言,舆论普遍认为 Audacity 4.0 是一次成功且迟来的重大升级,显著提升了易用性;但与此同时,社区中仍有一部分用户倾向于使用 Tenacity 等分支版本,以保留“经典”的使用体验。
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原文

Audacity 4.0

Audacity 4 rebuilds the application interface on Qt and introduces many new quality-of-life improvements, including a new clip-editing model. Most Audacity 3 workflows remain available, but some controls have moved or changed.

Watch the video:

Editing clips

  • Clips can be selected directly. Click a clip header to select it, or Shift-click to select multiple clips.
  • Several clips can be edited together. Moving, trimming and time stretching apply to all selected clips.
  • Clips can be grouped. Groups remain together when moved, copied, pasted or duplicated.
  • Clips can be placed more freely. They can move between mono and stereo tracks. Moving a clip over another replaces the overlapped part instead of blocking the move.
  • Splitting has a dedicated tool. Press or hold S, then click the waveform or clip header. Split, split-cut, split-delete, split at silences and split to a new track are also available as commands.
  • Paste handles more cases automatically. Audacity can create a track when needed, adapt compatible channel layouts and paste audio files from the operating-system clipboard.
  • Alignment guides, sample-boundary snapping and per-project snap settings have been added or expanded.

Interface and tools

  • The interface has been rebuilt on Qt, with native high-DPI rendering.
  • Toolbars and panels can be moved, docked, floated, shown or hidden.
  • UI layouts can be saved as Workspaces. Audacity includes Modern, Classic and Music workspaces.
  • Light, dark and high-contrast themes are available, along with accent colors, track colors and several clip styles.
  • The new Home screen shows recent projects with preview thumbnails.

The separate Select, Envelope, Draw and Multi-tool modes have been removed. Their functions are now context-sensitive:

  • Volume envelopes are displayed in the Clip gain mode.
  • Sample drawing becomes available when the waveform is zoomed to individual samples.
  • Splitting is available by holding S.
  • Track and effect parameters use consistent rotary controls with fine adjustment and double-click reset.
  • Sync-Lock has been removed. Delete, cut and paste now have explicit variants for either leaving a gap or moving later material to preserve timing.

Playback and recording

  • The playhead remains visible during navigation and can be dragged to a new position.
  • Playback can seek to another position without stopping.
  • Recording can start anywhere on the timeline and creates a clip at that position.
  • Loop boundaries and the interaction between playback, selections and loops have been revised.
  • Punch and Roll, lead-in recording, latency compensation, software playthrough and per-track input monitoring have been rebuilt for the new interface.
  • Audio Setup now includes system-default devices, refreshable device lists and custom channel mapping. Audacity can follow operating-system device changes automatically.
  • Official Windows builds include ASIO playback and recording support.

Tracks, meters and effects

  • Track headers now contain live playback and recording meters.
  • Preset handling is consistent across built-in, destructive and realtime effects.
  • Built-in effects, generators and analyzers have been rebuilt for the Qt interface.
  • Supported plugin formats are VST3, Nyquist, LV2 on Linux and Audio Units on macOS. Audacity can display generated controls when a plugin's own interface is unavailable.
  • Spectrogram has been redesigned with clearer guides and rulers, and faster rendering.

Projects, import and export

  • Audacity 4 uses the new .aup4 project format.
  • .aup3 projects open and convert to .aup4 without changing the original file. Converted projects cannot be saved back to .aup3.
  • Older .aup projects can be imported.
  • Project files store preview thumbnails and Audacity 4's additional clip and appearance data.

And last but not least, we had the audacity to change the Audacity logo.

Compatibility notes

The following Audacity 3 features are not available in Audacity 4.0, but we're working on adding them in future releases.

  • Time Tracks
  • Note/MIDI tracks
  • Mixer
  • Macro Manager and the scripting pipe
  • VAMP and LADSPA plugin hosting
  • Play-at-speed

Sync-Lock and the old tool modes were replaced by the workflows described above.

Additionally, Audacity 4 ships with some missing exporting and rendering features, analyzers, and effects.

Update: audacity-sources-4.0.0.tar.xz was updated to include SoundTouch and sbsms 3rd-party libraries.

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