管他呢,做就是了。
Fuck it, make it anyway

原始链接: https://www.joelotter.com/posts/2026/09/make-it-anyway/

面对生成式人工智能的兴起,作者近期对身为软件工程师和创作者的职业生涯产生了存在主义危机。AI 工具的涌入降低了传统技艺的价值,剥夺了作者曾经从工作中获得的个人乐趣与同行认可。 在必须通过拥抱 AI 否则就面临被淘汰的压力下,作者一度陷入消沉。但在审视个人价值观并与同行交流后,作者意识到追求速度与效率并非自己的目标。相反,作者选择了第三条道路:继续为了创作本身的快乐而创作。通过坚持“舍易求难”——例如亲手编写游戏引擎——作者重申了学习与创造带来的内在满足感,远比与自动化产出竞争更为重要。作者最终得出结论:无论行业如何变迁,创作的根本动力始终是个人的满足感,而非单纯的效率。

这篇 Hacker News 的讨论探讨了软件开发与艺术创作中,手工技艺与生成式 AI 崛起之间存在的存在主义张力。 许多贡献者认为,“通过困难方式完成工作”的价值在于过程的乐趣、个人成长以及对质量的追求,这与市场效率无关。对于这些创作者而言,手工工作依然是 AI 无法复制的深层满足感来源。相反,另一些人强调了现代商业的现实层面;他们将 AI 视为一种强大的工具,认为它能够普及叙事并加速开发,使他们能够解决自身问题并更快地交付产品。 该讨论帖触及了一个更深层的哲学冲突:究竟“艺术家的挣扎”是作品本质的一部分,还是一种虚荣。虽然有些人担心技术精湛度的丧失,但另一些人则将其视为一种演进,并指出前几代人也曾面临因创新而过时的局面。最终,参与者们分为了两派:一派拒绝为了速度而妥协创作过程,另一派则将 AI 视为实现创意方式中必要且往往是有趣的进化。
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原文

I kind of crashed out this week. Not in an explosive, dramatic way, but an implosion, a collapsing of the self, my resolve and motivation crumbling into the mush you get when you put tissue paper through the laundry. I’m doing better now, and I wanted to write down my thought process in case anyone else is going through the same thing, especially, probably, sadly, future me.

The reason for this is, I guess, all too familiar for anyone in a creative field: surprise, it’s generative AI. The ongoing devaluation of the work of artists and makers, chewed up and regurgitated back to us like a mother feeding a baby bird with a subscription model. I have some hope for my friends in other artistic fields; AI art is shit, kind of by definition anti-art, embarrassing to look at and cringe-inducing to be associated with. I hope that continues. On the programming front, where I mostly live, things look a little dicier.

Every programmer I know has basically gone insane over the last couple of years. This is the most turbulent time to be a software engineer I can remember. We’ve had it relatively easy up until now, but there’s an increased feeling that the whole craft is going through a huge shift and every individual needs to decide how they respond to it, which is very hard without the benefit of hindsight. I can’t really blame anyone who’s just gone along with things, despite the various negative externalities - peer pressure is very real, and LLMs are genuinely very capable at code generation now. Denying that is, I think, a race against a moving finish line.

I’m not writing this to try and convince anyone of any particular position but here’s mine: even disregarding all the environmental and societal issues, I simply do not enjoy programming with a code assistant. It isn’t fun for me, the output doesn’t feel like mine, and I take no pride in what it produces. For the last couple of years it hasn’t been too hard to just stay in my lane, noodling away at my little projects, but increasingly it feels like a lot of this craft I’ve made a career and a hobby out of has vanished.

I love making doodads, little shell scripts, little helpers. I use my interactive git branch switcher every single day. I was very proud of that. Colleagues said nice things. Now anyone can just order that tool or anything like it off a prompt. Nobody cares about my doodads any more. It feels gauche to admit but I do actually need those head pats from my peers to feel fulfilled.

This is happening in games, too. This week’s crashout was triggered by a thread from Zach Gage about how game making is moving to be more like music. I think it’s a good insight but I found it utterly devastating. I’ve spent years learning how to make games, and it’s been hard, and now it feels like that might have been a waste of time? I was bereft. Then I had a chat with Shad.

Shad’s one of my faves. He’s a terrifically talented designer and engineer and an all-round great person. His current project is Uncamera, a camera app for iOS that uses raw sensor output with lookup tables - rather than a filter in post - to produce photos that genuinely look like film. It’s a beautifully made thing and I honestly think a contender for an Apple Design Award when it’s fully done. You should check it out. Here are some photos I took with it (I am not a good photographer).

It also happens to be developed entirely without generative AI. Shad’s reasons for this are very similar to my own; a lack of joy or fulfilment in the making of the thing. His anxieties are also similar. The difference is that Shad has kept updating Uncamera in spite of those anxieties, while I wallowed in self-pity.

Here’s the thing: I’m already doing everything the hard way. I decided to make my own game engine, in C++ of all languages, because I wanted to do it. If my goal was to make games as quickly as possible, to be able to “compete”, I’d be using Unity or Godot or Unreal. I wouldn’t be messing about trying to produce a faux-3D renderer like in the header image of this post. I do things the way I do because I enjoy doing it that way and because I learn a lot through doing it.

Through chatting to Shad I came to realise there are only really three paths open to me. I can start using generative AI to feel like I’m “keeping up” or “competing”, but then I won’t enjoy the work. I could stop making things entirely, but as any creative person will know that’s never really an option. Or, I can keep making things the way I enjoy, keep learning, keep doing it the hard way, for no real concrete reason other than I want to do it. That’s why we make games. That’s why we make anything.

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