约翰·凯奇的持续639年的演奏会最近发生了一个和弦变化。
John Cage recital set to last 639 years recently witnessed a chord change

原始链接: https://www.spectator.co.uk/article/what-were-we-all-doing-here-my-600-mile-trip-to-hear-an-organ-play-a-d-natural/

2000年,在德国东部的一个小镇,一台管风琴的建造工作开始了,它的唯一目的就是演奏约翰·凯奇的《ORGAN2/ASLSP》(1987),演奏时间精确为639年。这位已故先锋派作曲家对这件作品的唯一指示是“尽可能缓慢地演奏”。因此,在2001年——乐器最终准备好后——世界上最长的管风琴独奏在哈尔伯施塔特的圣布尔查迪教堂开始了,第一个和弦在2003年开始嗡嗡作响之前,有一个长达17个月的休止符。它由两个升G和一个B组成。两周前,我和其他数百人一起前往小镇,见证了这件作品最新的和弦变化。理论上,只要有足够的动力并且持续踩踏踏板,管风琴可以无限期地发声。为了消除对管风琴师的需求,哈尔伯施塔特采用了一种由细绳悬挂的沙袋系统来提供这种压力。

Hacker News上的一篇讨论总结: 一篇新闻报道讲述了约翰·凯奇的一场时长639年的演奏会最近进行了和弦转换,引发了短暂的讨论。一位评论者jfengel指出了凯奇创作的《4分33秒》,并链接了一个提供相关背景的播客。他们认为《尽可能缓慢》并非真正最慢的乐曲,认为一首包含无限延音的乐曲会更慢,并提出了诸如如何维持和保持演奏的问题。他们发现那个一万年钟更有趣。Treetalker回应道,认为凯奇的乐曲最终需要完成,这与一首包含无限延音的乐曲不同,后者理论上可以很快演奏完毕。该评论者强调凯奇的乐曲关注的是极端的缓慢。乐曲的标题指的是其创作时尽可能慢的节奏,这受限于当时的科技水平。
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原文

In the year 2000, in a small east German town, work began on the construction of an organ that had one purpose: to perform John Cage’s ORGAN2/ASLSP (1987) for precisely 639 years. The late avant-garde composer’s only instruction for the piece was to play the piece ‘as slowly as possible’. And so in 2001 – the instrument finally ready – the world’s longest organ recital began in St Burchardi church, Halberstadt, with a rest lasting 17 months before the first chord commenced droning in 2003. It consisted of two G sharps and a B. Two weeks ago, I – along with several hundred others – made the pilgrimage to the town to witness the work’s latest chord change.

In theory, a pipe organ can sound indefinitely, so long as it receives adequate power and its pedals are pressed continually. To eliminate the need for an organist, a system of sandbags suspended by strings delivers this pressure in Halberstadt.

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