携带长焦镜头的好处
The value of bringing a telephoto lens

原始链接: https://avidandrew.com/telephoto.html

## 远摄镜头的力量 尽管体积和重量较大,远摄镜头对于旅行摄影来说是不可或缺的,能够提供更广角镜头无法达到的独特视角。它们擅长**消除干扰**,通过隔离主体——例如通过压缩距离和减少前景杂乱来专注于山脉。 一个关键优势是**压缩**,将场景中不同的平面拉近,使远处的山脉和前景细节感觉相连。远摄镜头还能实现**主体隔离**,模仿人眼专注于较大场景中远处物体,从而增加意义和戏剧性。 后期处理,特别是使用darktable等工具,可以进一步增强远摄图像。诸如消除雾霭、色彩平衡和有针对性的对比度调整等技术可以克服扁平化和大气失真等问题。 最终,远摄镜头提供新鲜视角的和独特的构图可能性,证明了其体积的合理性,使其成为任何摄影师工具包中值得添加的工具。

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原文

They usually aren't light, and they certainly aren't small, but the unique perspective a telephoto lens brings makes it an indispensable part of your kit, even when traveling. Let's review some shots taken with a telephoto to see how we can justify its size and weight.

Avoiding Distractions

scene of mountains and clouds with wide-angle lens and lots of distractions

In some cases, distracting buildings or people may be unavoidable. However, a telephoto can help eliminate those distractions and bring your subject, in this case the clouds and mountains, front-and-center:

scene of mountains with nice composition using telephoto lens

While there is still a building this shot, many of the distractions have been eliminated. This single building helps frame the foreground and the mountains now loom large in the background thanks to the effects of the telephoto.

Compressing Different Planes

lake, people, and mountains all compressed in a single scene with a telephoto

The compression effect a telephoto has can be used even more dramatically to tie together different planes in a scene; in the above example, the lake, the people on the bench, and the mountains behind are all in very different planes and are different sizes. However, we can bring them together and highlight all of them by stepping back and zooming in. When composing this shot, keep the hyperfocal distance in mind to help ensure that everything you want to be in focus is sharp.

This image really highlights how darktable's powerful masks can make a tough job much easier - we want to use a second instance of local contrast to really bring out the details in the mountains. Fortunately, we don't need to painstakingly create a drawn mask that follows every peak and edge. Instead, make a very quick drawn mask that roughly follows the mountains and then move the feathering radius and mask contrast sliders to the right to bring the mask to the edge of the mountains and stick to them exactly. See the before and after effects of these sliders below:

This works because the edge between the mountains and sky is well-defined and therefore easy for the mask contrast slider to distinguish. This contrast improvement makes a big difference in the final image:

Isolating a Subject Like The Human Eye

wide-angle shot of a large lake

Have you ever noticed how you can watch something small far away and keep track of it? This ability to focus on an object, even one that appears small, is really useful.

Sometimes a subject is too large to really capture effectively, even with a wide-angle lens. In this example, we're on a large lake and can't really capture its essence because it's so big and we have nothing in the foreground to provide perspective. When you're in person, this is not such a problem because of this ability to focus on a subject (like one one of those distant sailboats), but in a photo this is missing. A telephoto allows you to pick out an object and feature just part of your large scene, making it more focused and thus more meaningful. While it's clear in the above photo that there are mountains around this lake, I think you'll agree that they're much more dramatic and meaningful in the telephoto shot below:

Once you've captured a shot like this, it may look rather flat due to haze in the area (you are, after all, compressing a lot of distance in this type of shot and demanding some degree of clarity). Fortunately, darktable can help. First, let's use the haze removal module to attempt to cut down some of the haze. We can make this even better using color balance rgb to increase the global vibrance, contrast, and saturation of the shadows and mid-tones:

color balance rgb module settings

Moreover, increase the brilliance of the mid-tones so the image doesn't appear quite as dark.

Next, we can calm down some of the contrast in the water by using an instance of contrast equalizer with a gradient mask and using the L and h channels in the parametric mask to roughly select only the water:

contrast equalizer module settings

Finally, we can create a bit of separation in the image by shifting the greens towards cyan and the blues towards magenta with the rgb primaries module:

rgb primaries module color wheel changes

rgb primaries module settings

This effect is subtle but significant in helping distinguish the mountains from the lake:

With all of these adjustments, and the change in perspective thanks to the telephoto lens, it's quite clear how much more striking this image is than the similar shot using a wide-angle lens.

Conclusion

A telephoto may require you walk back a long distance from your subject, which is counter-intuitive. However, this new vantage point allows you to compose the shot in new ways not otherwise possible. This useful ability makes it worth the weight and bulk of carrying a telephoto in your kit.


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