加里·拉尔森的新作品
New Work by Gary Larson

原始链接: https://www.thefarside.com/new-stuff

《远方》的创作者加里·拉尔森解释了他通过新的在线作品集“新玩意”意外重返漫画创作。在快乐地从十五年前的联合漫画日常工作中退休后,他不再感到有绘画的冲动。然而,几年前,一支堵塞的笔让他开始尝试数字平板电脑。 令他惊讶的是,他重新发现了绘画的乐趣,被新的工具和创造可能性所吸引。虽然承认从钢笔和墨水过渡到数字绘画有很高的学习曲线,但拉尔森感受到了一种熟悉的冒险感——那种定义了《远方》的探索精神。 “新玩意”不是复兴,而是一种个人探索,没有截止日期,由好奇心驱动,并对引发这一新篇章的笔表示感激。他只是在实验和享受乐趣,希望“带人们去他们可能从未去过的地方”。

黑客新闻新 | 过去 | 评论 | 提问 | 展示 | 招聘 | 提交登录 Gary Larson的新作品 (thefarside.com) 24点,由jkestner 3小时前发布 | 隐藏 | 过去 | 收藏 | 2条评论 bhouston 22分钟前 | 下一个 [–] 顺便说一下,这个“新内容”是2020年左右的:https://www.nytimes.com/2020/07/08/arts/far-side-gary-larson...回复 jmclnx 35分钟前 | 上一个 [–] 很好,我一直在关注,这是我最近看到的第一个新作品。为简·古道尔创作的漫画真不错!回复 考虑申请YC冬季2026批次!申请截止日期为11月10日 指南 | 常见问题 | 列表 | API | 安全 | 法律 | 申请YC | 联系 搜索:
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原文
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I don’t want to mislead anyone here. This corner of the website—“New Stuff”—is not a resurrection of The Far Side daily cartoons. (Well, not exactly, anyway—like the proverbial tiger and its stripes, I’m pretty much stuck with my sense of humor. Aren’t we all?) The thing is, I thoroughly enjoyed my career as a syndicated cartoonist, and I hope, in spirit at least, we had some laughs together. But after fifteen years of meeting deadlines, well, blah blah blah … you know the rest. The day after I retired from syndication, it felt good not to draw on a deadline. And after moving on to other interests, drawing just wasn’t on my to-do list. Things change. But then a few years ago—and returning to the subject at hand—­something happened in my life, and it started with a clogged pen.

Despite my retirement, I still had intermittent connections to cartooning, including my wife’s and my personal Christmas card. Once a year, I’d sit myself down to take on Santa, and every year it began with the same ritual: me cursing at, and then cleaning out, my clogged pen. (Apparently, the concept of cleaning it before putting it away each year was just too elusive for me.) As problems go, this is admittedly not exactly on the scale of global warming, but in the small world of my studio, it was cataclysmic. Okay, highly annoying.

So a few years ago—finally fed up with my once-loyal but now reliably traitorous pen—I decided to try a digital tablet. I knew nothing about these devices but hoped it would just get me through my annual Christmas card ordeal. I got one, fired it up, and lo and behold, something totally unexpected happened: within moments, I was having fun drawing again. I was stunned at all the tools the thing offered, all the creative potential it contained. I simply had no idea how far these things had evolved. Perhaps fittingly, the first thing I drew was a caveman.

The “New Stuff” that you’ll see here is the result of my journey into the world of digital art. Believe me, this has been a bit of a learning curve for me. I hail from a world of pen and ink, and suddenly I was feeling like I was sitting at the controls of a 747. (True, I don’t get out much.) But as overwhelmed as I was, there was still something familiar there—a sense of adventure. That had always been at the core of what I enjoyed most when I was drawing The Far Side, that sense of exploring, reaching for something, taking some risks, sometimes hitting a home run and sometimes coming up with “Cow tools.” (Let’s not get into that.) But as a jazz teacher once said to me about improvisation, “You want to try and take people somewhere where they might not have been before.” I think that my approach to cartooning was similar—I’m just not sure if even I knew where I was going. But I was having fun.

So here goes. I’ve got my coffee, I’ve got this cool gizmo, and I’ve got no deadlines. And—to borrow from Sherlock Holmes—the game is afoot.

Again, please remember, I’m just exploring, experimenting, and trying stuff. New Stuff. I have just one last thing to say before I go: thank you, clogged pen.

Gary Larson

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