拉布布斯的陨落与现代互联网趋势的融合。
The fall of Labubus and the mush of modern internet trends

原始链接: https://www.michigandaily.com/arts/digital-culture/the-fall-of-labubus-and-the-mush-of-modern-internet-trends/

毛茸茸的、大眼睛的Labubu玩具在2025年夏天迅速走红,成为线上和实体店无处不在的存在。它源于2015年的绘本系列,需求很快超过了供应,推高了转售价格,甚至催生了假冒“Lafufus”市场。然而,这种受欢迎程度却出人意料地短暂。 到2025年末,Labubu变得随处可见,Pop Mart的股价暴跌,预示着迅速衰落。这种快速的兴起和衰落体现了一种由互联网和短视频内容驱动的新趋势周期。与过去持久的潮流不同,今天的趋势传播*更快*,但消退也*更快*,这归因于注意力持续时间的缩短。 互联网现在孕育了一种去中心化的文化,算法创造了小众社区和源源不断的新现象——导致了趋势的混乱“混搭”。这并非一定是负面的;它代表着从强制统一到通过全球在线互动促进的多元文化和兴趣的良好交流的转变。Labubu从中国现象到全球狂热的历程完美地说明了这一点,展示了互联网连接和分享体验的力量。

## Labubus 的兴衰与现代互联网趋势 最近在 Hacker News 上出现了一场关于 Labubus 逐渐失去人气的讨论。Labubus 是一种收藏人偶,曾经历过快速的流行。评论员将其与过去的潮流如弹珠和豆豆熊相提并论,并指出互联网时代潮流的节奏加快。 Labubus 迅速崛起和衰落的关键因素似乎在于其分销方式,类似于带有盲盒销售和有限内容信息的“幸运盲盒”。这种类似赌博的机制最初推动了炒作,但可能也导致了潮流的过早消退。 对话扩展到对碎片化互联网文化的更广泛观察。用户认为算法会创造高度个性化的内容泡沫,导致更快的潮流周期,其中“酷”与早期采用和快速放弃相关联。一些人认为这种去中心化削弱了共同的文化体验,而另一些人则认为它促进了利基社区。关于这种碎片化是新的还是仅仅是现有模式的加速,存在争论,一些人指出文化各个方面日益个性化。最终,这场讨论强调了在线潮流的兴衰速度,并质疑了数字时代消费和地位的本质。
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原文

Labubu.

The word alone is enough to make some people break out in a cold sweat, and it’s hard to blame them. These fuzzy, diminutive creatures, complete with a stare some have described as demonic, became truly inescapable over this past summer. Everywhere I turned, from the airport to the mall to the bathroom at my below-minimum-wage job, Labubus followed, staring at me ominously from backpacks and keychains.

Labubus began innocently enough, originating in 2015 from a picture book series by Kasing Lung before they were made into toys. However, after slowly gaining traction throughout 2024 and early 2025, Labubus exploded in popularity over the summer, flying off store shelves around the world. Resale prices skyrocketed as demand rose and they became harder to come across, to the point where some people instead opted to knowingly shell out money to buy fake Labubus, affectionately referred to as “Lafufus.”

This traction, however, was short-lived. While in the summer you might have had to spend $200 on a Labubu if you could get your hands on one, today I scroll my feed and find microinfluencers promoting genuine Labubus for $30 on TikTok Shop. They’re just not hard to find anymore. Combined with the fact that the stock price of Pop Mart — the company behind Labubus — is down nearly 35% (at the time of writing) since its peak in August 2025, it’s clear that Labubus are on the downswing.

Of course, Labubus are not alone in this fall from grace; fads have always come and gone. However, for as prominent as Labubus became, they seem to have faded from popular culture abnormally fast — even for a fad. Although it might seem anomalous, a clear pattern emerges when analyzing Labubus and the other massive trends that have appeared out of nowhere as of late.

In an era when people are more connected with each other via the internet and social media, trends can gain greater prevalence than ever, faster than ever. Simultaneously, in the era when most internet users consume more short-form content than anything else, our attention spans are shorter than ever, causing these trends to seemingly drop off the face of the Earth once people get bored of them.

Because of this, the internet has become a tapestry of many different digital phenomena, all so massive that they define the culture while they’re around, only to evacuate our minds as quickly as they appeared when it’s time to make room for the next trend. There’s no longer one single, massive cultural moment that sticks around for years in the vein of “Gangnam Style” or slime or fidget spinners. Instead, trends from various corners of the internet coalesce into one, and we get a mush of whatever “Labubu Dubai chocolateLove Islandmatcha Benson Boone moonbeam ice cream cookie” is supposed to be. It’s a complete mess.

And yet, as cringeworthy as the modern internet may be, it will never go back to the way it was before. The reality is that the internet has become decentralized; rather than people staying in one gigantic, unified group with shared trends and moments like they used to, users go their separate ways, with social media algorithms providing hyper-curated content that pushes users toward smaller groups with niche shared interests. It is from all of these individual, smaller communities that the many different trends we see today seem to merge into one.

But maybe this — the mess, the chaos, the mishmash — is a unifying cultural moment after all, just in a new form. The beauty of the internet has always been that people from so many different places and backgrounds are able to come together and interact with one another, so it only makes sense that our trends would follow the same pattern. Looking back on the big trends of the past, I’ve realized it’s unrealistic for everyone to come together and enjoy the same thing, especially when we constantly preach individualism and influencers push us to be ourselves. For the most part, the internet trends of before were not truly unifying; they were just bandwagons we all hopped onto for fear of missing out.

But now, in this new wave of internet trends, nobody has to miss out. We are free to enjoy what we want to enjoy while experiencing the trends and culture from sides of the internet we might have never ventured into otherwise. It’s not everyone being the same that brings us together, but rather the exchange of culture, information, interests and everything in-between that is facilitated by the internet. Labubus themselves are an example of this — despite initially only being prominent in China (where Pop Mart is headquartered), small interactions between internet users from there and the rest of the world allowed the culture barrier between them to be breached, eventually making Labubus a global phenomenon, even if only for a little while.

The decentralization of the internet and its trends has allowed the web to become a more unified, multicultural place — and it’s beautiful. Even if it’s a jumble, I will gladly take all of the “Labubu Dubai chocolate ‘Love Island’ matcha Benson Boone moonbeam ice cream cookie” summers that the internet has to offer.

Daily Arts Contributor Caiden O’Donnell can be reached at [email protected].

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