代码即黏土
Code Is Clay

原始链接: https://campedersen.com/code-is-clay

最近的一次陶瓷课意外地与编程产生了联系。 老师希望学生制作杯子等实用器皿,但作者却制作了一个超立方体——一个明显*不*实用的作品——并发现了用粘土和编写代码之间意想不到的相似之处。 两者都是可塑的媒介,不断演变,并且容易出现“失败”(摇晃的粘土,有缺陷的代码)。 重要的是,两者都需要超脱;破碎的粘土和删除的代码都不是损失,而是重新开始的机会。 作者将人工智能的兴起视为代码领域的“工业革命”,就像工厂生产改变了制陶业一样。 正如手工陶瓷在批量生产*之后*获得了价值一样,作者认为独特的人类编程——“超立方体”——将变得更加重要。 随着人工智能处理常规任务,软件工程师可以专注于创造性的问题解决和创新项目,使编程工艺比以往任何时候都更具成就感。

## 代码如泥:摘要 这个Hacker News讨论围绕一篇博客文章展开,该文章质疑人工智能时代编码的未来,将代码与泥土作为创造性表达媒介进行类比。作者认为人工智能将自动化大量的编码工作,使其从一种必需品转变为一种为了享受而进行的工艺,就像陶艺一样。 评论显示出截然不同的反应。一些人同意这种类比,指出这两个领域都涉及技能、知识以及超越单纯实用性的艺术成就的可能性。另一些人则强烈反对,认为代码与泥土等物理媒介根本不同,并且这种比较淡化了编程的智力要求。 一个关键的争论点是,像编码(或陶艺)这样的工艺能否提供可行的生计。许多评论员指出经济现实:工厂生产已经降低了传统工艺的价值,虽然存在业余工作室,但它们很少能提供可持续的收入。人们担心人工智能可能会进一步商品化代码,降低工资并削弱该职业的创造性方面。 最终,这场讨论凸显了对自动化、工艺价值以及在快速变化的科技环境中工作未来的焦虑。
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原文

Kerri and I took a ceramics class recently!

I made a hypercube.

My instructor was... disappointed. The class was supposed to make a mug, or a bowl, something functional. But I had this idea in my head and couldn't shake it. The glaze turned out amazing (this iridescent blue that shifts in the light). I've been wondering if it would look even cooler painted in Vantablack.

Anyway. I've been noticing parallels between code and clay. They're both mediums. Vessels for ideas. You weren't thinking about hypercubes until you saw one on the coffee table, and now you might be picturing what a ceramic tesseract would even look like.

Both are malleable. When you're centering the clay, it's constantly moving, constantly responding. You push a little too hard and the whole thing wobbles off center. Same with code. You add a feature, refactor something, introduce a bug, fix three more. It's never static. It's never done.

Clay breaks. A lot. My first few attempts collapsed on the wheel. One piece cracked in the kiln. I dropped another walking to my car. But nobody cries about it, you just start over. The clay doesn't care. It's just material waiting for the next idea.

You're gonna have a really bad time if you get too attached to it.

Code is the same way. We're so precious about it sometimes, like every line is sacred. But it's not. It's just text. Delete it. Rewrite it. Start fresh. The idea survives even when the implementation doesn't.

Before AI, we had to make every plate and coffee mug by hand. Every line of code, carefully typed. Every function, crafted manually.

Now? We've hit the industrial revolution of code.

When the industrial revolution came for pottery, factories started pumping out ceramics. Plates got cheap. Mugs became disposable. You'd think clay would have disappeared. Why bother with the slow, messy, manual process when machines could do it faster?

But clay didn't go away. Ceramics studios are everywhere now. People pay good money to throw pots on weekends. Kerri and I are proof. The craft got more valuable once it wasn't necessary anymore. When you don't have to make something by hand, choosing to makes it mean something.

Software engineers love to joke about automating themselves out of a job. Well, we're finally getting there. LLMs can write code. A lot of it, fast. The industrial revolution is here.

So what happens to us?

Maybe the same thing that happened to potters. The production work gets automated. The commodity code writes itself. But the craft remains. The weird ideas, the hypercubes, the things that don't fit in templates: that's still us. That's still human.

Honestly I think I'm going to like it more. I got into programming because I liked building things, not because I wanted to type boilerplate for the rest of my life. If AI handles the mugs, I can focus on the hypercubes.

The medium isn't going anywhere. It's just getting more interesting.

Ceramic hypercube by Cam

(i never said it was good)

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